Thursday, October 22, 2015

more October updates

Mystics In Bali T-SHIRT
This cool shirt I designed for Mystics in Bali is available from Mondo Macabro HERE!

and this Saturday I'll be at the Charles Schulz Museum for sketch-a-thon, along with Paige Braddock, Paul Pope, Reina Telgemeier, and many more!
you can check out the event HERE
(a simulation of what I look like at a table with comics, not a photo of the future)

lets see, more news is that I'm drawing more Garbage Pail Kids sketch cards!
For more regular art from me, please follor my TUMBLR page!

Thursday, October 8, 2015

Happy Halloween and sorry


I don't know if anyone still follows this blog, if so I'm sorry I haven't been keeping up with it. I'm still posting frequently on my tumblr, Monsters & Girls and on my main Facebook page.
So happy October to everyone. In case anyone reading this doesn't know, I've been working for Peanuts since January. It's probably the best job I could hope for, it's super awesome. If you want to check out some of what I've been doing for them, check out the Peanuts Studio tumblr, for October I've been coloring halloween themed Peanuts panels, here

So what else is new? a lot I guess, I've been working on several comics, some you can check out in the comics anthology Double Think, I have some new dinosaur comics coming out in the next issue!
I'll also be at the Schulz Museum this Saturday selling comics and drawing monsters! anyway, see you again, sometime!

Wednesday, August 19, 2015

DoubleThink Comics: Oh, OH! It's magic!

DoubleThink Comics: Oh, OH! It's magic!: Check out the splash page for Denis St. John's MAGIC IN THE MOONSHINE ! It's gorgeous! It's beautiful. What makes this beauti...

Tuesday, November 18, 2014

Vampirella story

Bissette and I wrote this really crazy Betty Boop inspired Vampirella comic for the second issue of Vampirella Feary Tales. Feary Tales is a Vampi mini series written by Nancy A. Collins and several other cool writers, where the vampire we all desire falls into several classic and weird fairy tales as a character. It seems like a pretty cool series. Bissette and I picked Vampi in Snow White, but the Betty Boop version, of course, because that's what I like the best.

here's one of the alternate covers, by Art Adams!

This comic was a lot of fun to work on, and Steve and I really added all the weirdness and creepiness we could to it, including a musical number, tons of references to Bava movies and other sci-fi and horror, rhyming double entendres, and more!
Here's the title page from our comic,

The issue come out tomorrow( Wednesday the 19th) so everyone go out and buy BUY BUY! get copies for all your friends, perfect for christmas gifts!

Here's the Boop cartoon that inspired us,

Wednesday, October 8, 2014


Okay, SO!
As you may know you can buy Amelia at Amazon HERE or at Createspace HERE

Now there's an exciting third option, you can buy it directly from me.
Just press the button above, or Paypal me at, 18 dollars (15 for the book and 3 for shipping), in the notes give me your address and name.
"What's the difference?" you may ask
"Well" I clear my throat and begin, "If you get from me, I'll mail it directly myself, which means I'll have time to do a little dedication for you and also throw another comic in"
"what comic?"
"Well I have all these copies of this Monsters & Girls Sampler, see"
"So, yeah" I continue, "I'll drop one of those in, while supplies last" I note, "and, since it's not on sale anywhere else, unless you see me at a comic convention, it's the only way of getting that crazy comic. That has werewolf stories, a vampire from outers-pace (who is a parody character, and I will not explain more) " I say going off on a bit of a tangent, "and a bunch of cool illustrations"
"Wow", you say, then turn to the camera
"What a deal, I will press that button right now"

Tuesday, September 30, 2014

APE this weekend

Hey folks,
I'll be at APE this weekend!
I'll have the Amelia graphic novel,

 Legend of the Loup-Garou,

and Bingo Baby!
I'll be at table 600A with Caitlin Plovnick,
so come check us out!

Thursday, September 25, 2014

Bissette talks Amelia and Sugar Skull

Tuesday, August 26, 2014

cover for Amelia

I'll be at APE this year, tabling with Caitlin Plovnik, October 4th and 5th, and, if all goes well I should have the complete Amelia there! I'm self-publishing through Amazon's createspace. I'm right now waiting on the proof and stuff, but I'm happy to show y'all the cover,

I'm pretty proud of it, I was having a surprisingly hard time designing the cover. For one I wanted to actually have Amelia, Sammy, and the title on the cover, unlike any of the covers for the issues. I ended up doing about 4 completed covers, including a painted one. Here's the best of the not good enough,

Tuesday, July 22, 2014

Writing blog roll

There's this writing blog roll thing going around. You may have heard of it, or participated in it. It has rules. Ian Richardson tagged me last week (so did Jesse Mead). Ian's a horror cartoonist and CCS graduate, one time I got insanely drunk at his house, and have been afraid of mixing wine and rum ever since. Jesse is a lovable maniac.
Since I've been tagged twice, which I'm sure is against the rules, my post will be twice as long as normal.

Okay, the questions,

1) What am I working on?

-A few things. First of all, the third issue of Monster Pie. A monster fan art zine I started with Stephen Bissette. The third issue is the first time adding Ian Richardson to the creative pool.  Mostly for that I’ve been doing monster illustrations, which I love doing.
-I also co wrote a Vampirella story with Stephen Bissette for Vampirella’s 45th Anniversary. I can't talk about it too much, but Dynamite has announced it, and it's for a series called Faery Tales. It's also probably the weirdest Vampi comic that's ever been made!
-I’m making a 2015 calendar with Nomi Kane, called Dogs and Monsters. It’s about both of our true drawing passions.
-I’m doing illustrations for a few monster magazines, Monster! Monster! International, and sometimes Weng’s Chop, all edited by Tim Paxton.
-What else? I’m drawing a horror story that Matt Aucoin wrote, for a Boston horror comic anthology. It’s a horror story, but it’s a much different style and feel than any story I could have written.
-OH! Also, the group anthology Nymphonomena, about the strange fan reactions and making of the almost lost cult scifi genre and gender-bending 70’s movie. That’s been a long term project, we recently submitted that to the CCS book project, so we’ll see how that goes. I co-wrote one story for that with my friend, Cara Sande, and drew that story. I started to write a second story, but haven’t gotten far on it, and might not finish it, not every comic idea gets finished. We all know that.
-Ian and I have been talking about doing an anthology together, it’s still at an early stage. Bryan Stone and I have also been talking about a project…
-Final thing, I’m printing a collected Amelia, my first graphic novel. I never found a publisher for it, so I’m trying to print it in one volume by October.
-Next final thing! I shouldn’t even talk about this because I JUST started writing it, and I haven’t gotten permission from her yet. But I just started writing a comic where my character Sammy, from my graphic novel Amelia, meets Betsey Swardlick’s characters, The Failwolves, in a monster friendly diner and behaves very weirdly with them.

2)        How does my work differ from others of its genre?  

Have you read my stuff? It’s fucked up!
First of all, I’m deeply invested in making personal horror comics in the world of alt comics, which isn’t unique, but is unusual. I really don’t think anyone else devotes page after page to monster genitals penetrating and tearing each other apart the way I do. 
Other than that, I don’t know, I think I’m funny, but not like gag comics funny. One time Jeff Lok was like “try writing a joke sometime!” So I guess I'm not that funny. but I think there’s a lot of funny stuff in my comics.
Okay, here you go, this is what Stephen Bissette had to say about my work when I asked him for a quote on my thesis comic, and I still think it’s mostly true
"Denis St. John's Monsters and Girls is like some
weird, exotic multi-blend tea: at first sip, I savor a
hint of Richard Sala via Rinse Dream, then it's
overwhelmed by the bitter aftertaste of David Lynch
filming a Jack T. Chick tract in the Monogram backlot.
Last gulp, a spice imported from Charles Addams and
Wilson (hmmm, is that Gahan or S. Clay? It could be
either) malingers in the dregs at the bottom of the
cup. From steam to grounds, it all goes down in a few
gulps, and then it's too late -- I've swallowed the
whole damned thing. Here's hoping Denis has another
pot brewing -- I'm already thirsty for more!"

3)   Why do I write what I do? 

Because I must.
I write what I want because it’s what I like and want to see (hence Monsters & Girls)
I also have this whole theory. I know plenty of horror folks, and even though the world in general seems to think horror folks are messed up guys likely to commit unspeakable crimes, that isn’t how it is. They’re all the nicest most mentally healthy people. And I think it’s because they get all their inner demons out on the page (screen, latex, canvas, whatever). So to some degree I think if you’re NOT writing something truly horrible there’s something really wrong with you.

4)    How does your writing process work? 

It varies a lot between projects and depending on the length of the story. For example it took me YEARS to finish Amelia, if I had written it all in advance I would have lost interest and probably never finished it. But I also knew how it would end, and had all the basic answers by the time the first book (of 5) came out, but a lot of stuff happened organically between here and there.
So, process. Ideas come when they come, sometimes in full stories, sometimes in just images, sometimes in the bathroom. I do a lot of writing and drawing in sketchbooks and in emails to myself. If I have an idea that disturbs me in some way, I know it’s a good idea and focus on that, expanding around it. This is also the time in the process where I’m doing research, about particular monsters if I’m using already existing monsters, or places, or specific cars. Like in my Loup-Garou comic I researched a lot of the myths of the cajun werewolf. I also grew up in New Orleans, so I was trying to remember details from my own life that I could use to make the story more real. I really want to emphasize the importance of research. I hate reading a monster story and realizing the author only knew the Universal movie rules. Also, look into biology of actual animals, or history of donut shops in the Midwest, or whatever happens to come up in the story. 
Once the story kind of has a basic shape and clear idea to it, and the characters and monsters are somewhat designed (I don’t do character turn-arounds, I have no interest in that kind of cartooning), the writing becomes more organized.
I break down the story actions into pages. At this point I usually try and fit the story into a three act structure, or sooner if I’m having creative problems. I don’t believe every story needs a traditional structure, but I think it helps me figure out if the story is working and ready or not.  Even a book like Amelia, that operates a lot on dream logic, still needs some sort of form and character progression to it. Does each character change or fail to change?  That kind of thing.                                                   Then I create little thumbnail booklets, usually from stapled together letter sized pages. And break the pages down, I usually go three tiers a page.
That’s the stage where the dialogue starts to come together. Dialogue is important, and should be worked and reworked as much as possible.  Making sure it sounds natural, is in the characters voice, isn’t too long, and has enough puns. I try to avoid narration at all costs, which means I have to give my characters a lot of exposition, which can be real difficult to do and still sound natural.  Sometimes I fail at that, but every comic I write I get a little better at it.
I’ll do a lot of editing at this stage, taping new pages on when the first break down doesn’t work, adding more pages, cutting pages out. This is really the hardest stage. Then I usually scan it in, and send it off to friends who I trust to help me edit. There are a couple things I feel I need in a story, and I think I do particularly well. The ending needs to be set up somewhere hidden in the first act. But it also has to feel like a surprise to the reader. It all has to feel organic, scary, funny, and emotionally real or it’s a failure. There also has to be boobs. And at least one monster. Preferably more than one.

And on that note,
For next week I've tagged Colleen Frakes, David Yoder and Bryan Stone.
Colleen Frakes writes and draws folk-lore, true life, historical fiction, you name it!
David Yoder is awesome!
Bryan Stone is an illustrator and cartoonist, who writes sci-fi, Onions, and old people!
and I apologize to them for my terrible descriptions